The Bowery Ballroom
The Big Baby D.R.A.M. Tour.

The Big Baby D.R.A.M. Tour.

River Tiber, Ari Lennox

Sat, January 21, 2017

Doors: 8:00 pm / Show: 9:00 pm

The Bowery Ballroom

New York, NY

$20.00 - $25.00

Sold Out

This event is 18 and over

Pre-Show (7pm-8pm) & Post-Show Happy Hour in the Lower Level Lounge

D.R.A.M.
D.R.A.M.
D.R.A.M. can vividly remember everything he did before the success of 2014’s “Cha Cha.” He recalls every dream, every occasion of wanting to create — not only for the people he grew up with or the region he was raised in, but far beyond. The Hampton, VA-bred artist is in a space — perched just beyond chasing rap dreams, now facing rap realities off the strength of his most recent project “1 Epic Summer” [September 2014] and its re-release as “1 Epic EP” in March 2015 — D.R.A.M.’s body of work served as his post-summer vacation project, so to speak. The shine of this new beginning is derivative of the comfort of time spent in Manhattan penthouses in the warmer months of 2014. Then, the heady studio sessions taken with industry legends and jetsetting stints around the country — all of this is exactly what D.R.A.M. had been waiting on, so much that it was a matter of being still, being inspired and allowing the dream to catch him.

Back in February of 2014, D.R.A.M., born Shelley Massenburg-Smith, was four years removed from performing at local showcases around his hometown. He says that initially his community’s reception wasn’t the greatest, but these days, things have changed. “I went from nobody knowing shit about me, to being at this level,” he says from his cousin’s home in Virginia. “It’s been seven months. So it’s been a blessing and it’s a wonder how the internet works.” Indeed. D.R.A.M. dropped tracks sparingly leading into the summer, one of which was “$,” an ode to finding focus and getting paper.

D.R.A.M. is neither strictly a rapper or a singer, instead, he’s both, on any given song, covering any given topic. He takes musical cues from people like George Clinton and Bilal, while showing appreciation for what squads like Dipset did for hip-hop. Admittedly, “$” isn’t as light-hearted as “Cha Cha,” but it was necessary, particularly to the rapper. “I had to get the ‘$’ shit off my chest before making all the other fun shit,” he shares soberly.

One has to try and understand, D.R.A.M. first touched a microphone as a hard-headed high school kid in 2005, cutting school to hit a kiosk at the local mall peddling “studio sessions.” Once his hard-working mother caught a glance of the slip in the grades of her only child, she punished him accordingly, and he found another way to hit the mall. “I was always neglecting my jobs for music,” he reveals. “I was doing telemarketing and was like, ‘Fuck that job!’ But I’d put on a shirt and tie and tell my mom I was going to work.”

Stubborn about his art and still pushing to create despite setbacks, there was a dark period, a spot in time where it seemed that maybe the 20-something-year-old — raised singing in gospel choirs, sitting in pews most weekdays — maybe he should find something else to do. This dream of his would not be fate after all. “2013 was crazy,” D.R.A.M. discloses that he had to take on a hustle as a photographer, toting around a DSLR camera, trying to get paid. “I was like a paparazzi. Or something,” he said, as if he was recalling a chapter of someone else’s life.

Just over a year ago, D.R.A.M. sat down with producer Gabe Niles [Sunny & Gabe] and got to work. Soon, people like Rick Rubin were tweeting their approval and calling for meetings. Snoop Dogg broke D.R.A.M. records overseas and invited him to the Inglewood compound. The “Cha Cha” creator says all of this without a hint of pretense either. He’s aware that the epic summer he described to the world last year is only the beginning of his ride and one glittering piece of his recurring dream. “[‘1 Epic Summer’] was set up to ride into the next summer because of when we released it. But it wasn’t a strategy. It was more like, destiny.”
River Tiber
River Tiber
River Tiber, aka Toronto producer, vocalist and multi-instrumentalist Tommy Paxton- Beesley, has announced his long-gestating and highly-anticipated debut full length Indigo will be self-released on June 24, 2016. The new album furthers the silky, midnight-hued electronic R&B aesthetic of the wunderkind's previous EPs [2013's The Star Falls and 2015's When The Time Is Right], and joins an ever-growing catalogue that features collaborations with Kaytranada, Pusha T, Daniel Caesar, Jazz Cartier and more.

Indigo sees Paxton-Beesley demonstrating his unique ability as a multi-instrumentalist, songwriter, producer and creative force. He writes, arranges, plays, and records almost every element on every composition, but also uses collaboration as a tool to generate and hone ideas. "Acid Test" is a shining example, as Paxton-Beesley lays drums, bass, synth and cello as a powerful, psychedelic base beneath layers of his airy, soulful vocals. The track also features contributions from members of his live band - Thadeus Garwood, John Mavro, Danny Voicu, and David Lewis.

In two short years River Tiber has developed a global reputation as a producer, not only for the acumen and singularity of vision demonstrated in his own music and collaborations, but also for his work with beat maker heavyweights like Frank Dukes that have lead to vocal placements and session credits on songs by Drake, Travis Scott, Mac Miller, Freddie Gibbs, and more. Last year he also worked closely with friends BADBADNOTGOOD in arranging and playing cello, violin and trombone to the group's Ghostface Killah collab Sour Soul and was one of just three Canadians selected to Red Bull Music Academy Paris.
Venue Information:
The Bowery Ballroom
6 Delancey St
New York, NY, 10002
http://www.boweryballroom.com/