The Bowery Ballroom
Jake Bugg

Jake Bugg

Valerie June

Mon, January 14, 2013

Doors: 8:00 pm / Show: 8:30 pm

The Bowery Ballroom

New York, NY

$15

Sold Out

This event is 18 and over

Jake Bugg
Jake Bugg
There are lightning bolt moments in the career of every artist when their fame is thrown into
sharp relief. For 19-year-old Jake Bugg it happened in the summer of 2013 before 17,000
people at the Splendour festival in his home town of Nottingham. Two years earlier, the
unknown and unsigned Bugg had been the opening act there on the smallest stage. Now he
returned as victorious local hero and main headliner. Looking out into the crowd he noticed a
familiar face. A girl in his class at school who, once upon a lunch break, had told him “I’ll
never listen to your kind of music because I don’t like it.” The same girl who was now
bouncing aloft on male shoulders, singing her head off to every word falling from Bugg’s lips.
“It was funny,” he says, “but also a bit of a mad realisation.”
Such is the “mad” nature of this Bugg’s life since last October’s self-titled debut album
entered the charts at number one, announcing one of the most electrifying young British
singer-songwriters to emerge in recent memory. In its wake have come multiple award
nominations including BRIT, Ivor Novello and Mercury Music Prize, prestigious supports with
Noel Gallagher, The Stone Roses and The Rolling Stones and a euphoric globetrotting
summer from Glastonbury to Japan, Australia and America. “I’ve had an amazing year,” says
Bugg. “A lot of crazy experiences. Glastonbury alone, just being on stage and looking out
and realising all those thousands of people were standing there to see me. It blew my mind.”
Any other teenage artist in his position would be forgiven for spending another 18 months
lapping up the adoration and resting on their laurels. But then Jake Bugg isn’t any other
teenage artist. Barely a year after his debut, in November 2013 he returns with its bar-raising
follow-up, Shangri La. The album shares a title with the Malibu studio where it was made,
once the 70s haven of Bob Dylan and The Band, now the creative hub of legendary
producer Rick Rubin, the recording Titan whose jawdropping c.v. spans from Def Jam and
Johnny Cash to Adele and Kanye West. Rubin first worked with Bugg earlier in the year on a
re-recording of haunting debut album ballad Broken. Jake confesses the secret to their
musical bond was his relative ignorance of Rubin’s track record. “It might sound daft that I
didn’t know much about him,” he laughs, “but it allowed me to build a friendship with Rick
without being in awe of him.” Rubin, in turn, was so enamoured with Jake that his original
offer to come back and demo two songs flourished into a whole album. “I called the album
Shangri La because it means a place of peacefulness and that’s exactly what Rick’s place
feels like,” he adds. “Some people really worry about their second album. I’ve worked hard
on it, but at the same time making this record has been like a holiday. Creatively, you can’t
help but feed off the studio’s therapeutic atmosphere.”
Rubin’s assembled wrecking crew of Shangri La session regulars includes guitarist Matt
Sweeney (Bonnie ‘Prince’ Billy, Neil Diamond, Endless Boogie), bassist Jason Lader (The
Mars Volta) and drummers Chad Smith (Red Hot Chili Peppers) and Pete Thomas (Elvis
Costello). Yet for all its stellar cast and production kudos, the real star of Shangri La is,
unquestionably, Bugg himself. “They’re great, experienced musicians and they all bring their
own ideas to each song,” he explains. “But it was a case of me letting them experiment and
then telling them what I did or didn’t like. From the off, I went in with a strong idea of how the
album should sound and I stayed true to that.”
Grabbing the baton of his debut’s tales of teenage life growing up on his Clifton estate in
Nottingham, Shangri La runs further and faster with the gritty urgency of Kingpin, Slumville
Sunrise and mighty opener What Doesn’t Kill You. “That song was written after my mate
Olly and myself were in Germany and came out of some place,” recalls Bugg. “These guys
asked if he wanted to buy some stuff, he went off with them and when he came back he’d
been robbed. It wasn’t a big thing, and where I’m from that happens all the time. But it sort of
taught me that wherever you are in the world, that kind of thing goes on. So it was a small
event for me and him, but the song itself is a large message.”
The album’s rich seam of classic guitar pop stretches deeper still on the irresistibly romantic
Me And You and the exhilarating Messed Up Kids. “I feel like I’m fortunate to live my dream
and do what I love,” says Bugg, “so I wanted to sing about real stuff that happens. I did it a
lot on the first album but when I went back to Clifton not much has changed. There’s still the
same problems and some aspects of it are even worse. So Messed Up Kids and some of
the others on this album are just me going back and taking a last look at where I’m from. But
the point of the song is there are messed up kids everywhere, not just Clifton.”
Such breakneck moments are tempered by Bugg’s ever-broadening musical palette, from
the stripped-down folk of Pine Trees to the Crazy Horse squeal of All Your Reasons, the
country swing of Storm Passes and the slapback rockabilly hysteria of Beast which
magically invokes the spirit of Sun Studios in Memphis where Bugg first demoed it. Yet
scratch beneath Shangri La’s surface sound and fury and at its core we find an emotional
depth and soul-baring honesty that place Bugg in a different league from his peers. Listen to
the open heartache of the delicate Pretty Lady or the howling tour-de-force Simple
Pleasures (Rubin’s personal favourite) and remind yourself that Bugg is still only 19 yearsold.
Or swoon at Song About Love and try and picture how many festival fields will be
hollering themselves hoarse to its soaring chorus come the summer of 2014. Collectively
these dozen tracks see Bugg strolling with effortless grace towards his ever-nearing horizon
signposted ‘Classic Songwriter’. “I’m just pleased I managed to get 12 songs together so
quickly that I feel are good enough,” says Bugg with characteristic modesty. “I always
thought it would be a nice idea to have two albums before I turned 20. I’m proud I’ve done
that.”
Asked to compare Shangri La with its predecessor, Bugg concludes: “My first album felt like
a list of songs, whereas this one feels like a whole entity with something to say. Or if my first
album was the colour of grey reality, this one’s the colour of the sun.” The colour of our
planet’s nearest star. Or maybe the sound of a new star intensifying their musical colours.
Listening to his second album you dare to wonder where a talent like Jake Bugg could find
themselves in ten years’ time. His prediction: “Up front for England.”
Valerie June
Valerie June
Imagine the voice of feminine smoky silk, the face of an angel, with a Medusan tangle of locks as thick and strong as her family ties and her musical roots in the flatlands of West Tennessee…then you’ve manifested Valerie June, a true original - emerging star from the legendary and still vibrant Memphis music scene.

A ‘self-taught’ guitar player, composer and troubadour of heartbreak ballads, folk songs, spirituals, soul-stirring blues and what she calls “Organic Moonshine Roots Music”. Valerie is poised to reach a wide audience as one of the stars of the ballyhooed new MTV web series “$5 Cover” which is written and directed by Craig Brewer.

Valerie’s alluringly haunting voice of distinction appeals to fans similar to those of Linda Thompson, Michelle Shocked, Jeff Tweedy, Sinead O’Connor, Jessie Mae Hemphill along with the music world’s most famous Bobs; Dylan and Marley.

Shedding her possessions, she left the South and traveled up & down the West Coast as a sort of “gypsy nightingale”. Valerie's journey thus far, has led her to record her most recent collection of songs, Valerie June & The Tennessee Express, with producers Ketch Secor of Old Crow Medicine Show and Beau Stapleton. Most recently, Valerie spent two days songwriting with Dan Auerbach of The Black Keys for her soon to be released new record. She has also written and performed with Grammy-nominated, John Forte who produced and co-wrote on The Fugees' album: The Score. Her voice has taken her down the back roads to the late Jim Dickinson's Zebra Ranch to write and record with his son, Cody Dickinson of the North Mississippi Allstars and Hill Country Revue.

In January 2010, the documentary created by Alan Spearman: Manifest, won an Emmy award for Best Documentary. Manifest is the compelling story of Valerie's organic musical journey and how she came to write the song: "No Draws Blues".

Valerie is currently mastering the banjo and the lap steel guitar along with creating the new sounds vibrating with the splendor & tension that occurs when mountain-spring freshness meets river-town grit. The results are beautiful - generous – authentic, brimming with gratitude for life and filled with all its hardships, joys, tears and laughter...
Venue Information:
The Bowery Ballroom
6 Delancey St
New York, NY, 10002
http://www.boweryballroom.com/