The Bowery Ballroom
Hanni El Khatib

Hanni El Khatib

Bass Drum of Death

Fri, October 11, 2013

Doors: 8:00 pm / Show: 9:00 pm

The Bowery Ballroom

New York, NY

This event is 18 and over

Hanni El Khatib
Hanni El Khatib
On his 2011 debut Will The Guns Come Out, Hanni El Khatib tried something he’d never tried before—making a bedroom-style recording of his then stripped-to-the-skeleton guitar-and-drums rock ‘n’ roll mostly for the sheer joy of making it. For his ferocious 2013 follow-up Head In The Dirt, he tried something new again, showing up at producer Dan Auerbach’s analog-dreamland Nashville studio with nothing but the clothes on his back and an open mind.

But after Head In The Dirt’s release and almost a year of relentless touring, Hanni knew he needed to go past ‘unpredictable’ all the way to ‘unprecedented.’ He needed isolation, time and the chance to experiment. So after 30 days locked in hand-picked L.A. studio The Lair, the result is the album Moonlight—the rarest and most welcome kind of album, made at that perfect point in life where confidence, experience, and technique unite to help an artist do anything they want.

That’s why it starts with a song that sounds like a Mobb Deep beat under a Suicide-style synth drone and ends with an ESG-meets-LCD Soundsystem gone italo-disco song about life and death. That’s why it collides crushing crate-digger drumbeats that’d be right at home on a Can LP or an Eddie Bo 45 with bleeding distorto guitar, bent and broken barroom piano and hallucinatory analog flourishes. (In fact, some smart producer is going to sample the drums from this album and complete the circle of life.) And that’s also why Moonlight feels like the album he’s always wanted to make: “What would it sound like if RZA got in the studio with Iggy Pop and Tom Waits?” he asks. “I don’t know! That was my approach on everything.”

It’s a personal album in the most primal sense, put together in any way that worked. Iggy Pop and David Bowie did this kind of thing on The Idiot, the Wu-Tang Clan did it on 36 Chambers and the Clash did it three times over on Sandinista. And now it’s Hanni’s turn, across 11 new lightning-struck songs, each written and recorded in its own flash of inspiration. It sounds like an album made by an endless list of collaborators, but really Moonlight was more like the first do-it-almost-all-yourself music Hanni ever made, except after six years recording and touring, he’d learned to do so much more.
Bass Drum of Death
Bass Drum of Death
Bass Drum of Death is a band from Mississippi. John plays guitar and sings and Colin plays the drums. Together they make blown-out, blazing songs. They are set to release their debut LP GB City on Fat Possum Records. John was Fat Possum’s worst employee 3 years ago. He wrote and recorded the whole record himself using just a drumset, a guitar, a usb microphone, a computer, and a shitload of talent. The songs are about drugs, trying to make it with religious girls, panic attacks, stealing stuff, mild to severe depression, Elvis appearing in your dreams and giving you advice, gravity bongs and the devil living inside your brain. This record is the soundtrack playing in your head when you’re fucked up and walking home in the middle of the night.
Venue Information:
The Bowery Ballroom
6 Delancey St
New York, NY, 10002
http://www.boweryballroom.com/