The Bowery Ballroom
Lucius

Lucius

Kingsley Flood

Sat, December 7, 2013

Doors: 8:00 pm / Show: 9:00 pm

The Bowery Ballroom

New York, NY

$17

Sold Out

This event is 18 and over

Lucius
Lucius
Lucius knew from the start they were on to something special. Centered around the powerful voices and compelling songwriting of Jess Wolfe and Holly Laessig, the Brooklyn band has evolved from a promising duo into a dynamic quintet whose 2013 debut LP WILDEWOMAN (Mom + Pop) is lauded by The New York Times as “an art school take on girl group soul.”

Hailed by The Boston Globe as “the most welcome addition to pop music this year” WILDEWOMAN ¬¬has landed on numerous critics’ year-end best of lists. Ranked #25 by Amazon, admired by Paste for its “strong song structures, substantive lyrics and precise playing” and included in NPR’s top 50 albums of 2013, Lucius pairs the synchronous vocals of Wolfe and Laessig, who play synth and keyboards, with guitars and drums from Dan Molad, Peter Lalish and Andrew Burri. Together, they make music that evokes classic girl-group pop and iconic rock ’n’ roll with a modern twist, that belongs solely to Lucius. But none of it happened overnight.

“We’ve been singing together for almost nine years,” Wolfe says. “We never wanted to rush anything. We never looked for a record deal before it felt like we needed one, and we never wanted to be on tour until we felt like we could sustain ourselves on the road. It was important for us to hone our craft.”

Wolfe and Laessig met in college in Boston, bonding over a love of old-school soul, David Bowie and the Beatles. They sing as though each is one half of the same voice, with riveting, resonant unison parts on songs like “Hey Doreen,” the propulsive first single from WILDEWOMAN; and harmonies that feel instinctive as their voices diverge and then meld together on the ineffably catchy title track.

“We started singing in unison because we were always drawn to doubled vocals on recordings,” Wolfe says. “We figured it couldn’t hurt to try it in a live setting and it just felt like our voices were supposed to be sitting together – an automatic vocal kinship. In truth, many of our intentional decisions, when it comes to sounds and arrangements and even band setup, have been happy accidents.”

After their initial musical gathering, the pair started writing songs together, exploring a sense of otherness that each had felt growing up, and pairing it with arresting musical arrangements: from bright acoustic guitars and heartbroken vocals to layers of irresistible rhythm and bold melodies.
“Jess and I have shared unusually parallel experiences,” Laessig says. “We were both bullied during adolescence, which lit a fire in each of us. We have both experienced relationships and love on a similar timeline, so when we write songs together we have a natural empathy. The themes that run through this record reflect the struggles and realizations of becoming an adult, and of being a bit of an outsider sometimes, but embracing it. I think that’s something people can relate to.”

In 2007, Wolfe and Laessig moved to Brooklyn’s Ditmas Park, taking up residence at the Bromley House, which had, unbeknownst to them at the time, been a music school and recording studio for more than 60 years prior. Wolfe and Laessig established an open-door policy for the strong local community of musicians. First came Molad, a drummer, producer and engineer whom Lucius sought out for some early recording sessions (he also co-produced WILDEWOMAN). He introduced them to Lalish, his former bandmate in the indie-pop trio Elizabeth and the Catapult. Later, Molad met Burri while working on a different recording project, rounding out the Lucius family.

At the same time, Lucius was developing the memorable visual look the band employs onstage — “dressing the sound,” they call it. Taking inspiration from strong visual artists, and citing Bjork, Bowie, Warhol and Prince as style icons, the women are bedecked in a seemingly endless array of identical head-to-toe ensembles, complimented by the men’s sharp, tailored style.

Fresh off a year of acclaimed performances and rave reviews, Lucius’ steady ascent shows no signs of retreat. 2014 brings Lucius to a worldwide audience with WILDEWOMAN’s release in Europe, the UK, Australia and Japan (PIAS, March 2014), plus tour dates throughout the UK and Europe, appearances on some of the biggest U.S. summer festivals and more.
Kingsley Flood
Kingsley Flood
“Battles underlines the difference between a local band ascending to a national stage and one that’s finally ready for and deserving of it.“
-Boston Globe

“a modern brand of Americana”
-New Yorker

“Kingsley Flood’s live show could thrill Folsom prison in ’68. Or CBGB in ’76. Or the Cavern Club in ’57. The…country-punk-rock hybrid has fury and charm enough to electrify crowds across half a dozen decades.“
-Boston Herald

Boston and Washington, DC based six-piece Kingsley Flood released their first full-lenth Dust Windows in 2010, generating both critical acclaim and a passionate fan base. In 2011, the band issued the six-song EP Colder Still, with tracks that were touted by NPR, Esquire, and Paste.The band, described recently by the Boston Herald as a “Rolling Thunder Revue with a punk rock sneer,” has supported Grace Potter and Nocturnals, Angus and Julia Stone, Langhorne Slim, and Brett Dennen, among others, and is a two-time winner at both the Boston Music Awards and the Boston Phoenix Best Music Poll.

In 2013, Kingsley Flood has no plans to sit still. Battles, their latest full-length (released Feb. 5), is the band’s most honed, complex, and meaningful project to date. Recorded with producer Sam Kassirer (Josh Ritter, Langhorne Slim, David Wax Museum) at Great North Sound Society in rural Maine, Battles amplifies the band’s pension for dynamics — rock songs that can fill music halls, quiet songs that sound two feet away.

The resulting sound blends Dylan-esque storytelling, Kinks-inspired melodies, and the urgency of the Clash. Anchored by Rolling Stone premiere “Down” and MTV Buzzworthy premiere “Pick Your Battles,” Battles asks a fundamental question at the heart of our current national mood – how can those who play by the rules, yet fall behind, get back on their feet? Inspired by everything from dictators clinging to power to an unemployed worker still packing his lunch every day, Battles winds a deliberate path from self doubt (opener “Don’t Change My Mind”) to quiet determination (closer “This Will Not Be Easy”).
Venue Information:
The Bowery Ballroom
6 Delancey St
New York, NY, 10002
http://www.boweryballroom.com/