The Bowery Presents

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DJ Krush
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Born in 1962 in Tokyo. Gifted producer & DJ with a superb sense in Mixing and composing his sound who’s been greatly received in the international club scene. It was the movie “WILD STYLE” that got him into hip hop in the early 80’s, and in 1987, he formed KRUSH POSSSE which made numerous appearances in various media as the best hip hop act in Japan. KRUSH began pursuing his solo career after the break-up of the group in late 1992, and soon grabbed people’s attention as the first DJ to use turntables as live instruments, doing free sessions with live musicians on stage. Released his 1st album “KRUSH” in January 1994, and since then released countless records in Japan, Europe, US and around the globe. All his solo releases have ranked high in various charts in & out of Japan, and his 6th album “Zen” had been highly acclaimed and awarded the Best Electronica Album in 2002 AIFM Awards (US). His 8th album “jaku” released in late 2004 has topped the RPM chart of CMJ for 3 weeks in the US. In March 2006, he released his first best albums in self-remixed style, “STEPPING STONES” & , making another huge buzz around the globe. In March 2007, a historical collection of the 12 years of his career ”???? (Suimou Tsunenimasu)” was released in Japan in a special DVD box. Aside from his outer national activities as producer, remixer and DJ, he constantly expands his field from soundtracks for films, TV dramas & commercials to live sessions with various musicians that transcends music genre. In ‘98 spring, he formed a production unit with DJ HIDE & DJ SAK, collaborating with Nigerian percussionists and releasing a single & album from Polydor Japan. From the end of the year 2000, he also got involved in project which will be launching various projects to question worldwide issues in the 21st Century.
Home Video
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Home Video are Collin Ruffino and David Gross, transplants from the misunderstood landscape of New Orleans, now living in the brooding brownstones of Brooklyn, New York. Here they revel in a self-created world of references to Edward Gorey, Massive Attack, The Brothers Quay, Smashing Pumpkins, and a dusting of Chopin, references that they have been collecting for nearly ten years.

They connected in high school art class in 1997. Under the instruction of an eccentric painter, who claimed to have been raised in a Louisiana chateau where servants peeled grapes for him to eat, they spent hours drawing still lives of twisted vegetables and rendering the chiaroscuro of adolescent self portraits. Outside of art class, they made a short narrative video starring David, and directed by Collin, a collaborative set up that continues still and perhaps an influence for their band name.

At the time Collin wore all black, listened to Nine Inch Nails and Smashing Pumpkins, and was in a band called The Great and Secret Show. David, a classical pianist in training and the son of two classical musicians, had been sheltered from the Top 40, or anything composed after 1900. It wasn't until Collin played him a cassette tape of The Great and Secret Show that David realized pop music had the potential to be as emotionally impacting as classical. Collin continued pulling him into the 20th century, introducing him to albums like Mezzanine, Dummy, and OK Computer. David started playing keyboards for the band.

College scattered the members of the Great and Secret Show, David in Boston studying music and philosophy, Collin in New York studying film, but they remained in touch and created music together during summer breaks. Once the distraction of higher education was out of the way, they reconvened with New York as home and soon discovered a new sound as their latest incarnation, Home Video. The first Home Video song came to them in the dead of winter, the blizzard of 2003. As the piling snow erased the landscape outside his window, David huddled over the warm vibrations of an analog synthesizer creating the simple loop that first inspired their minimalist sound. The fear and anxiety of New York's atmosphere at the time had eaten its way onto the pages of Collin's tattered notebooks and became their confessional style of lyrics. Underlined by a thumping, bass-rich beat, the pairing of the two worked well and the song evolved into "Melon," the first Home Video song created and the closing track on the album. Inspired by their new philosophy, other songs quickly followed and the band sent out demos.

Originally discovered by Warp Records, the label released Home Video's first two EPs in 2004, both packaged in sleeves illustrated by Collin's dark, Gorey-esque drawings. "That You Might", a 10" single, immediately picked up considerable attention in Britain from BBC Radio 1 and the NME, while the five song Citizen EP earned the band a feature in Rolling Stone. In 2006, New York based Defend Music released their debut full length, No Certain Night Or Morning. Grammy-nominated DJ Sasha picked two of the songs from this album to remix for his recently released Involver 2, which also included reworked songs from Thom Yorke, Ladytron, M83, and Apparat.

As electronic-rock producers and performers, they record everything themselves, then adapt it live into a full on rock show with live drums and hypnotic visual projections. After sharing a bill in London at the start of Home Video's first European tour, Blonde Redhead were so impressed that they invited the band to support them for three weeks of shows in North America. Since then they have opened for such diverse acts as Justice, Yeasayer, Flying Lotus, Pinback, Colder, Radio 4, and His Name is Alive.

It Will Be OK is the first new material Home Video have released since 2006, and illustrates the band's new direction in both sound and attitude. The new music has a thickness and complexity that their early minimalist work lacked; the gloom and darkness gives way to glimmerings of hope marked by sublime swells of sound. For the first time, they've been recording with their touring drummer, Jim Orso, who adds a third dimension and brings new life to the beat.

Surrounded by the trend-infested-quick-high of the New York music scene, Home Video are slow-burning pop that will invade your dreams and memories.
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