The Bowery Ballroom
Black Lips

Black Lips

Night Beats, DJ Guy Gold

Fri, July 29, 2011

Doors: 8:00 pm / Show: 9:00 pm

The Bowery Ballroom

New York, NY

$20 advance / $20 day of show

Sold Out

This event is 18 and over

Black Lips
Black Lips
Playing garage-flavored punk rock with a Southern accent, a messed-up and bluesy undertow, and the gleefully destructive impact of a 15-year-old with a bag of firecrackers, the Black Lips are an Atlanta-based combo who, after their debut in 2000, soon developed a reputation as one of the Peach State's wildest bands. the Black Lips consisted of Cole Alexander on lead vocals, guitar, and harmonica, Ben Eberbaugh on lead guitar, Jared Swilley on bass, and Joe Bradley on drums, when they released their first single. After a second single and a handful of out of control live shows that led to them being banned from several Georgia venues, they caught the attention of Greg Shaw at Bomp! Records, who signed the band to a recording deal. the Black Lips cut their self-titled first album in mid-2002, but before it could be released, Ederbaugh was killed in a freak auto accident when a driver going the wrong way crashed into his car at a toll booth. The death occurred only a few days before the Black Lips were to set out on an East Coast and Midwest tour; believing Ederbaugh would have wanted them to continue, the band set out as a three-piece and made plans to add a new lead guitarist for a more extensive tour in 2003, scheduled to support the release of the album. Their second album for Bomp!, 2004's We Did Not Know the Forest Spirit Made the Flowers Grow, featured new guitarist Jack Hines. After the album's release, Hines left the band and was replaced by Ian St. Pé. the Black Lips jumped to In the Red for the 2005 effort Let It Bloom. The band then put out Los Valientes del Mundo Nuevo -- their first release for Vice -- and Good Bad Not Evil, both in 2007. 200 Million Thousand followed in 2009, also on Vice. In early 2010, the band hit the studio with producer Mark Ronson and began work on their sixth album, Arabia Mountain, which was released in June of 2011. After failing to get first choice Phil Spector or second choice Ronson, the band enlisted the Black Keys drummer Patrick Carney and Dap Kings memberTommy Brenneck to co-produce their slick, Southern rock-inspired seventh album. Underneath the Rainbow was released by Vice in spring of 2014.

Artist Biography by Mark Deming
Night Beats
Night Beats
Danny Lee Blackwell – guitar / vocals
Jakob Bowden — bass
James Traeger — drums

Night Beats play pure psychedelic R&B music that spikes the punch and drowns your third eye in sonic waves of colour. Theirs is a bastard blues, contorted and distorted into new shapes for 21st century wastoids — once tasted never forgotten. This is music to melt your sorry little minds.

Make no mistake: their new album Who Sold My Generation sounds like it has been created against a backdrop of burning Stars and Stripes flags and with the whiff of napalm hanging in the air — an alternative universe where ‘Helter Skelter’ is the national anthem and Charlie Manson is still on the loose. Acid-test heaviness is Night Beats’ currency, but this is no out-right nostalgia trip either. Instead of Nixon and Vietnam, Night Beats have their own epoch of God and guns and bombs and drones to rail against…or flee from. Besides, bad vibrations, blues jams and id-shattering explorations are timeless pursuits – why shouldn’t today’s young generation be allowed to take a ride down the slippery spiral that sits within the centre of each of us?

On their third album – and first for Heavenly Recordings — Night Beats perhaps most recall their Texan forefathers and psyche-rock originators 13th Floor Elevators at their ‘69 peak, just before The Man busted young Roky Erickson and dragged him to the psyche ward for barbaric doses of shock treatment. These boys represent the best of the Lone Star State’s flipside – that vast dusty hinterland of the soul where it’s easy to drift off the map and reinvent yourself as part of the long lineage of creative cowboys who prefer psychotropics to rodeo riding, guitars rather than firearms.

“Old cowboy culture is alive and well in Texas,” says frontman Danny Lee Blackwell. “I grew up with Texan mythology all around us, so as a band its instilled in our blood. My Dad didn’t wrangle steers but he did pick cotton when he was young. But then cities like Austin and Dallas, where we spent most of our time growing up, have a real sense of musical history that runs deep, so we feed off legacy that too.”

From the Elevators and The Red Krayola on to pre-ZZ Top band The Moving Sidewalks, Butthole Surfers and The Black Angels – whose record label Reverb Appreciation Society have released Night Beats — and a clutch of other early cult bands besides (Bubble Puppy, Shiva’s Headband and the Golden Dawn, anyone?), Texas has always been a prime breeding ground for such outlaw music. “The Elevators were one of the reasons I decided to become a singer and form the group,” says Blackwell. “I loved their attempt to play R ‘n’ B music, but from a distinctly Texan approach. I’d say they have profoundly influenced the group, but it’s now our job to take it to another level in a new age.”

It took a cross-country relocation to instigate their formation. Night Beats were born when frontman Danny Lee Blackwell upped stick from Dallas to Seattle, Washington and was soon joined by childhood friend James Traeger. “James got me a copy of Ginsberg’s Howl when I was around 15 and it changed everything,” remembers Blackwell of his old friend. “We grew up together and once he moved up to Seattle we did everything together there too. I wanted to try out a different place, a new city, where no one knew my music and there wasn’t anything remotely similar going on. Coming from Dallas, Austin seemed like the obvious choice but I needed something more. Seattle was at one time the home to people we love like Ray Charles, Jimi Hendrix and Quincy Jones so I didn’t feel too disconnected.”

The two existed initially as a guitar and drums duo, named in honour of Sam Cooke’s 1963 album Night Beat, before fellow Jakob Bowden Dallas resident joined on bass after a stint in Austin. Filtering a collective love of pioneering artists as disparate as Buddy Holly, Fela Kuti, Etta James, James Brown and Leonard Cohen, Night Beats dropped a clutch of singles, split-singles, cassette release and two albums – their self-titled debut in 2011 followed by Sonic Bloom in 2013 – as well as featuring on all manner of compilation albums that document the cutting edge of the head-bending, modern counter-cultural US underground.

Night Beats hit the road too, touring extensively with Roky Erickson, The Zombies, The Jesus and Mary Chain, The Strange Boys, Black Lips, The Growlers and The Black Angels in North America, Europe, Israel, South Africa and Australia.

Recorded on old two-inch tape in Echo Park, Los Angeles at the home of producer Nic Jodoin and featuring co-production and guess bass playing from Robert Levon Been of Black Rebel Motorcycle Club, new album Who Sold My Generation goes beyond merely being a retreading of well-worn garage / R&B path. Instead it offers a contemporary take on the psychedelic experience, a heady set of hoodoo voodoo songs. Mordant and corrosive opener ‘Celebration #1’ sets the tone with its wailing guitar jams and Messiah-like monologue, while ‘No Cops’ makes like the imaginary soundtrack to an orgiastic party somewhere in the LA hills as the summer of love gave way to an era of greed and paranoia. ‘Sunday Mourning’ is the sound of blood dripping on the twitching remains of a generation’s super ego and with a rockabilly strut, ‘Egypt Berry’ chases the White Rabbit down into a cosmic underworld while shaking its burning tail feathers

With new Who Sold My Generation, Night Beats have not only painted it black, they’ve torched the fucker and driven it off the cliff, crashing and burning into the arid canyon below.

In its afterglow only the lone howl of a solitary coyote remains.

Ben Myers. October 2015.
Venue Information:
The Bowery Ballroom
6 Delancey St
New York, NY, 10002
http://www.boweryballroom.com/