The Bowery Ballroom
Baths

Baths

Dinosaur Feathers, Ki:Theory

Fri, December 2, 2011

Doors: 8:00 pm / Show: 9:00 pm

The Bowery Ballroom

New York, NY

$15 advance / $17 day of show

Sold Out

This event is 18 and over

Baths
Baths
For mercurial L.A. music-maker Will Wiesenfeld, Baths has been a long time coming. The 21-year-old has spent the better part of his days living amidst "pleasant" and "unremarkable" in the suburbs of the San Fernando Valley, so perhaps it's due to a general lack of local inspiration that Wiesenfeld's own work has never fit into a prefab box of its own. Over the last six years, under the handle of [Post-Foetus], Wiesenfeld has gainfully explored the intersections and outer reaches of both electronic and acoustic music. With Baths, his eclecticism finds its greatest focus yet, in a hail of lush melodies, ghostly choirs, playful instrumentation and stuttering beats.

Wiesenfeld's trip began at age 4, when he willed his parents into enrolling him in piano lessons. (The family upright, purchased that same year, sits in his bedroom today.) By 13, he'd begun recording his own music using Digital Performer and a MIDI keyboard - a brief, ill-advised foray into Eurobeat that was set right when Wiesenfeld heard Bjork for the first time. Mind blown, he quickly boned up on viola, contrabass, and guitar and took the name [Post-Foetus], stringing together countless live configurations to execute his increasingly inimitable compositions. [Post-Foetus]' fourth album - a Dntel-ish, song-based melange dubbed The Fabric - was released on Mu-Nest in January.

Though Baths represents the next evolution in Wiesenfeld's oeuvre - which also includes the excellent ambient project Geotic - it came together under nigh-opposite circumstances. Last September, [Post-Foetus] was invited by L.A. electronicist Daedelus to share a bill with a handful of local Beat Music luminaries. Witnessing a burgeoning movement firsthand sparked something in Wiesenfeld that the 'burbs never could. In a fit of inspiration, Baths was born, though not into a preexisting scene. As is to be expected, this music goes its own way: fueled by spontaneity, tempered by Wiesenfeld's background in classic songwriting. Those two influences collide in glorious ways on Cerulean, Baths' stunning debut.
Dinosaur Feathers
Dinosaur Feathers
Why did the indie rock band Dinosaur Feathers name a song after Vendela Vida? - The New Yorker

One of the year’s quirkiest and most charming debut albums in Fantasy Memorial, a garage-sale jumble of styles anchored by sinisterly effective pop melodies. - The New York Times

(Dinosaur Feathers) use their voices like instruments, stacking and weaving them into a textured sonic tapestry that drips with 60s nostalgia. - PASTE

Captures the incredibly catchy world sound of Vampire Weekend with the tropical warmth of the Beach Boys. - MAGNET

Dinosaur Feathers delivers skewed yet joyous avant-pop that nods to Animal Collective and Dirty Projectors. - TimeOut NY
Ki:Theory
Ki:Theory
Ki:Theory (a.k.a. Joel Burleson) is a recording artist and producer who specializes in genres of electronic and indie/alternative rock. Fresh off dates supporting Passion Pit, Ki:Theory hits the road with Baths. Ki:Theory has done remixes for Daft Punk/Tron: Legacy, Kings of Leon, Queens of the Stone Age, Ladytron, Sasha, UNKLE and Brazilian Girls among others. Look for a new Ki:Theory album in early 2012. All of Ki:Theory’s original music can be downloaded for free at www.kitheory.com.
Venue Information:
The Bowery Ballroom
6 Delancey St
New York, NY, 10002
http://www.boweryballroom.com/